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  • The Royal Melbourne Philharmonic

Carissimi: Jephte / 2018 RMP Aria Final

Deakin Edge, Federation Square

Hear a rare performance of  Giacomo Carissimi’s beautiful and historically important oratorio Historia di Jephte, now considered the first real oratorio composed.   

Audience tickets include a free champagne and gourmet cheese reception at the conclusion of the evening, where audience members have the chance to meet the finalists, adjudicators, orchestra, choir and conductor.

BOOK EARLY AS THIS EVENT IS EXPECTED TO SELL OUT IN ADVANCE

Giacomo Carissimi (c.1605 – 1674) is today celebrated as one of the most important masters of the early Italian Baroque. Carissimi established the characteristic features of the Latin oratorio and was a prolific composer of motets and cantatas. He was highly influential in musical developments in north European countries through his pupils and the wide dissemination of his music. His oratorio Historia di Jephte, composed around 1648, is based on the story of Jephtha in the Old Testament Book of Judges, and is scored for 7 solo voices, 6 part chorus, flutes, and plucked strings. Easily Carissimi’s best-known composition, the oratorio is written in the operatic, declamatory style developed by Monteverdi and others at the beginning of the 17th Century. The famous last chorus, ‘Plorate filli Israel’ (‘Weep all ye daughters of Israel’), is widely considered one of the greatest choruses ever composed. Full of taut suspensions and agonizingly beautiful vocal lines it uses dense harmony from the six-part choir to paint the weeping of a community for a young girl who’s about to be sacrificed. It grips both performer and listener to the very last note.

Program:

Final of the 2018  RMP Aria Competition

followed by a full scale performance of  Giacomo Carissimi Historia di Jephte

Andrew Wailes, conductor

Soloists: Kate Macfarlane (soprano), Max Riebl (alto), Brenton Spiteri (tenor), Nicholas Dinopoulos (bass)

RMP Oratorio Festival Choir

Royal Melbourne Philharmonic Orchestra

About the RMP Aria:

Now firmly established as one of Australia’s most prestigious singing events, the RMP Aria is Australia ’s pre-eminentfor oratorio soloists. Previous winners now rank amongst the nation’s most successful concert artists, with many having gone on to spectacular international careers.

The Finalists of the 2018 RMP ARIA will battle it out for the chance to win thousands of dollars worth of cash, professional photography packages, language coaching and various other prizes – as well as future engagements with the Royal Melbourne Philharmonic.

Each singer will perform a short program of arias and recitatives from the world of oratorio, accompanied on piano by outstanding pianist and RMP Principal Accompanist Stefan Cassomenos. A distinguished panel of judges will decide over $6000.00 worth of cash prizes, as well as other awards including language coaching and professional photographic packages and future performance opportunities with the RMP.

About the composer:

Giacomo Carissimi’s exact birthdate is not known, but it was probably in 1605 in Marino near Rome, Italy. Of his early life almost nothing is known. His first known appointments were at Tivoli Cathedral; from October 1623 he sang in the choir, and from October 1624 to October 1627 he was the organist. In 1628 Carissimi moved north to Assisi, as maestro di cappella (chapel master) at the Cathedral of San Rufino. In 1628 he obtained the same position at the church of Sant’Apollinare belonging to the Collegium Germanicum in Rome, which he held until his death. This was despite him receiving several offers to work in very prominent establishments, including an offer to take over from Claudio Monteverdi at San Marco di Venezia in Venice. In 1637 he was ordained a priest. He seems to have never left Italy at all during his entire lifetime. He died in 1674 in Rome.

The great achievements generally ascribed to Carissimi are the further development of the recitative, first introduced by Claudio Monteverdi, which is highly important to the history of dramatic music; the further development of the chamber cantata, and the development of the oratorio, of which he is today regarded as the first significant composer, with Jephte as probably his best-known work. These works and other subsequent works in this form were important for establishing the form of oratorio unaccompanied by dramatic action, which maintained its hold for nearly 300 years. The name ‘oratorio’ comes from their original presentation at the Oratory of Santissimo Crocifisso in Rome.